Rockwell and Bembo are another absolute classic combination. When pairing them, consider classic light serifs in the Garamond or Caslon families. Get Oswald | Get Ralewayįat serifs are having a moment in 2019, and Playfair is a gorgeous refined type that’s perfectly on-trend. Raleway brings a tiny note of sophistication to the pairing, with many letters (like L and K) ending in elegant feet. Oswald and Raleway are far and away two of the Internet’s favorite workhorse sans-serifs. Look to combinations like this (a script and a light, wide serif) to bring both character and readability to logo designs. Pacifico brings the fun with its loopy script characters, while Josefin Sans plays a supportive role with light and clean lines. These two fonts are well-known and well-loved.
Fonts like Merriweather and Quattrocentro are fonts that have enough weights and styles (usually at least a serif and a sans version) that you can formulate a stunning font combination without having to look for another font.īecause they’re in the same family and share some very basic structural elements, they’ll combine beautifully with very little effort on your part. Here are two examples of what are sometimes referred to as “superfamilies. Pair it with a more staid body font like Roboto to balance the tone just right. Vidaloka brings just a touch of playful vibes with its curled serifs.
While we want to stress legibility when you’re designing with user experience in mind, that doesn’t mean you can’t have any fun. While Allan brings the personality and throwback spirit of hand-painted signs, Lato keeps things modern in this fresh pairing. Quando and Judson are both serifs with a good dose of character and feminine charm.Īlso long as one is dominant (Quando is heavier, with more exaggerated serifs), the hierarchy will be clear and the combination will be successful. This is a good reminder that fonts don’t have to be polar opposites to combine well. Clarendon brings a literary flair, while League Gothic’s thick weight holds things down. These two classic workhorses are a perfect pair. 15 beautiful font pairings for your next design A classic serif or clean sans serif can both work for long paragraphs of text, while a heavy sans serif will be better suited for headlines. Two wildly interesting fonts will feel disconnected and out of sync with one another.įinally, pay attention to legibility. If your logo uses a beautiful handwriting font, stick to something classic and clean for your second one.
In any good font pairing, there should only be one font with a lot of “personality.” So, don’t go overboard. A combination like this will have a subtler effect than one that utilizes two totally different fonts. But different weights of the same font can be used in harmony-like a sans serif in a demi-bold paired with a light italic. The fonts need to share some basic commonalities, while also preserving their sense of individuality.Ĭombining two different fonts from the same family generally won’t provide any contrast and the design is likely to feel boring or weak.
Great font pairings start by understanding the different families of type (serif, slab, sans serif, script, and handwritten) well enough to combine them in a powerful way.Ī strong font pairing is like a good relationship. You’ll want to find two fonts that complement each other but also provide that push and pull of contrast. The fonts need to share some basic commonalities, while also preserving their sense of individuality. What makes a good font pairing?Ī strong font pairing is like a good relationship. Here, we’ll take a look at some successful font pairings in order to learn what works and help you feel more confident in your next font combination. Most projects will require a font pairing of two or more fonts-headlines and body copy, for example-and finding the perfect combination is a tricky, intuitive art. You’ve got to find the thin line between serious and stodgy, friendly and cutesy, modern and vintage, so you can choose the right fonts to communicate your identity and values. When you’re starting a design or branding project, typography is one of the very first decisions you have to make.
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